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The major dynamic of Doctor Who has always been one of change, after all it IS a show about a 900+ year-old face-swapping, regenerating Timelord with no-fixed-abode, each week an entirely new location, with a new cast of characters. It's because of this dynamic that the series has had such (multimedia) longevity. With series 4, of the new series we see a continuation of this, with the return of Donna Noble from the Christmas Invasion Special of 2006. But, this isn't the same Donna, she herself has changed as a character for having adventured with the Doctor, although she still, thankfully, is not as in awe of the Doctor as Rose in series 1, or in love as Rose in series 2, or struck love-sick with the unobtainable man as Martha in series 3. Donna has a unique perspective on the Doctor and h... see description |
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Co-creators Seth Green and Matthew Senreich and company immerse viewers in the Robot Chicken universe with generous bonus features, including storyboarded deleted scenes (with self-deprecating commentary), behind the scenes footage of animation meetings, and alternate audio takes. But you don't have to have that kind of devotion to Star Wars to be amused by this weather forecast for Cloud City: "Cloudy, followed by clouds. What about his son's birth? "Not even close," dad replies. " --Donald Liebenson. Twenty three minutes goes by like the jump to hyperspace with such priceless bits as the collect phone call to Emperor Palpatine from Darth Vadar to inform him of the Death Star's destruction, awkward morning-after pillow talk between Luke and Leia ("That was so wrong"), and George Bush'... see description |
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Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. " Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. The film's approach to this mayhem ... see description |
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